The B♭ trumpet sounds a major second lower than written and carries over anything. Its range is moderate, but its endurance limits matter more than its top note.
Trumpet registers
| Register | Range | How it sounds |
|---|---|---|
| Low | Sounding E3 to B♭3 | Darker and less brilliant, and hard to project in a tutti. |
| Middle | Sounding B♭3 to F5 | The core trumpet sound, from a soft cantabile to a fanfare. |
| High | Sounding F5 to A♭5 | Brilliant and exciting, and tiring. Save it for climaxes. |
| Top | Above sounding A♭5 | Strong players reach it, but not for long lines and not quietly. |
Writing for the trumpet
- Write a major second above the sound. Orchestral players may choose a C trumpet, which reads at concert pitch.
- A trumpet can play a high C, but not forty of them followed by a soft entrance. Plan where the player rests.
- Mutes change the colour completely. Straight, cup and harmon mutes are the common ones.
The trumpet in sample libraries
Brass libraries make the top fifth of the range cost exactly what the middle costs, at every dynamic. A quiet, exposed trumpet line above written G5 sounds fine in a mockup and is one of the hardest things to ask of a player.
The full range is every note a professional can produce. The practical range is narrower on purpose, leaving out the notes only strong players produce reliably. The figures here are cross-checked between orchestration references, and where they disagree the practical range takes the more conservative one.
Other brass ranges
- French horn range: B1 to F5
- Trombone range: E2 to F5
- Tuba range: D1 to F4
See every instrument on one chart, or check a whole MIDI file against these ranges, in the instrument range chart.