The viola sits a fifth below the violin, with a C string that gives it the darker colour composers reach for under a melody. Its part is written in alto clef, with treble clef for long high passages.
Viola registers
| Register | Range | How it sounds |
|---|---|---|
| C string | C3 to G3 and up | Veiled and husky. The register that makes the viola sound like itself. |
| G and D strings | G3 to A4 | Warm and blending. Most inner-voice writing lives here. |
| A string | A4 to A5 | Bright and slightly nasal, with less brilliance than the same notes on a violin. |
Writing for the viola
- Open strings are C3, G3, D4 and A4. Write in alto clef and switch to treble only when a passage stays high for several bars.
- The C string blends with cellos, which makes violas and cellos in octaves a common way to thicken a bass line.
- Sections are usually smaller than violin sections, so a high viola melody needs lighter accompaniment.
The viola in sample libraries
Viola patches are often the least detailed in a string library, recorded with fewer players and fewer articulations than the violins. Check the low C string and the high A string separately before relying on either.
The full range is every note a professional can produce. The practical range is narrower on purpose, leaving out the notes only strong players produce reliably. The figures here are cross-checked between orchestration references, and where they disagree the practical range takes the more conservative one.
Other strings ranges
- Violin range: G3 to E7
- Cello range: C2 to A5
- Double bass range: E1 to D4
See every instrument on one chart, or check a whole MIDI file against these ranges, in the instrument range chart.