The violin's lowest note is fixed by its open G string. The top depends on how far up the fingerboard a player goes, which is why references agree on the bottom and differ at the top.
Violin registers
| Register | Range | How it sounds |
|---|---|---|
| G string | G3 to D4 and up | Dark and full. Melodies played entirely on the G string (sul G) keep that colour as they climb, at the cost of agility. |
| D and A strings | D4 to E5 | The warm middle, where most section writing sits and blends easily with violas and woodwinds. |
| E string | E5 to A6 | Brilliant and carrying. This is where violins cut through a tutti. |
| Top octave | Above A6 | Thin and intense. Good for firsts and soloists, risky for a section you have never heard. |
Writing for the violin
- Open strings are G3, D4, A4 and E5. Double stops that include an open string are the easiest to play in tune.
- Split high chords into divisi rather than asking every player for a stopped double stop near the top of the range.
- More players in the top octave do not make it louder. The sound thins and intonation spreads.
The violin in sample libraries
A library plays the top octave at full section size and perfect intonation, so a mockup can promise a sound a live section will not give you. Keep long exposed lines below about A6 unless the part is for the firsts alone.
The full range is every note a professional can produce. The practical range is narrower on purpose, leaving out the notes only strong players produce reliably. The figures here are cross-checked between orchestration references, and where they disagree the practical range takes the more conservative one.
Other strings ranges
- Viola range: C3 to E6
- Cello range: C2 to A5
- Double bass range: E1 to D4
See every instrument on one chart, or check a whole MIDI file against these ranges, in the instrument range chart.